Yupthere are Epiphone made in Indonesia too and they are completely authentic and of similar quality (considered as a better quality than the ones made in China {EE}) as rest of the Epiphones. there are always lemons when there's mass Production but most them are of a good quality. I once owed an Indonesian LP-100 and it was really good.
Will Gibson’s newest Les Paul stand up to our strict standards? Cost $ find yours on or Sweetwater and learn more on Overview & Final Score Well the day has finally come where Gibson has sent me a guitar to review. Quick personal tangent, this guitar really makes me feel like I “made it” in the guitar review world. Nevertheless, Gibson’s rise in 2020 started on the back of the Epiphone re-launch and continues here with the new 2020 line of USA models. Gibson’s Les Paul Studio 2020 is powered by coil tapped 490R and 498T humbuckers with otherwise standard wiring configuration 2 tone, 2 volume, 3-way selector. The Mahogany body is even weight relieved beneath the figured Maple top, making it a real comfortable departure from heavy LP’s of the past. The Mahogany neck features a return to Rosewood fretboards yes! and 22 medium jumbo frets. The neck shape is a slim taper, that still feels like a classic Gibson, just with a bit more utility and comfort than your vintage baseball bat. I fortunately received one featuring the gorgeous “Smokehouse Burst” finish featuring gloss nitrocellulose lacquer. This LP Studio sports Grover Rotomatic tuners, Gibson’s Nashville tune-o-matic and stop bar tailpiece, and a lovely soft shell case as well. Sound 9 No surprise here, it sounds like a Gibson Les Paul and I mean that as a compliment! The neck pickup is creamy, bluesy, and has all that warm goodness we’ve come to associate with Gibson. While it is no ’59 burst, these LP Studio guitars really sound like the real deal, even though they are the more affordable end of Gibson USA. While this guitar is weight relieved, I didn’t really feel any loss of sustain or resonance compared to other, full weight Gibson’s I’ve played. The bridge is obviously more bright and aggressive, and in my opinion provides the real Gibson tone that I’ve always loved and tried to emulate. Huge, classic tones pour out easily from Led Zeppelin to The Clash and everything in between. Gibson seems to have rightfully prioritized a return to the vintage blues and rock basis that made the brand famous. This guitar is perfect for the sounds you expect to get from it, and honestly had a few atmospheric licks up its sleeve. However, it definitely isn’t the most versatile guitar for maybe clean Jazz sounds or rhythmic chiming sounds. But if you’re buying a Les Paul Studio from Gibson you probably know what you’re getting and will not be disappointed! Oh and the in-between setting on the 3-way selector switch was maybe the best I’ve ever heard from a Les Paul. I usually strictly avoid that setting but it was a real charm here. Lastly I want to speak about the coil cuts. It is a really great feature that they’ve included here as it certainly makes the Studio a bit more versatile, but they weren’t the most impressive. The neck one sounded far more “coil split”-like than the bridge one. In fact, I could barely tell the bridge cut was anything more than a volume reduction. Not a major problem, but just something to think about and maybe I just got a dud. Playability 8 Les Pauls have not always won me over because of their feel and Gibson has a well recorded history of quality control and tuning stability issues. However, this guitar has far superior tuning stability to my 2011 Gibson Les Paul. I was really happy to see this and I assume it is because they’ve put more effort into perfecting the nut and how it is cut on each model. Furthermore, the G string still goes out of tune fairly often, which is just a known and respected flaw in Les Paul construction. This isn’t ideal, but I can certainly live with it in return for the huge upgrade in playability on my older Les Paul. The action was great out of the box, and I really liked the feel of the slim taper neck. It sat comfortably in my hands, with some of that baseball bat chunkiness as you move around the neck. Finish & Construction 9 This is where Gibson is really making me happy in 2020. This Les Paul Studio is just built so much better than some of the 2010’s Gibson guitars that I’ve played and owned. The fretwork was great, the finish was spotless, the nut was cut correctly. Everything seems to be pointing towards increased quality control coming out of Gibson. Their PR faults aside, this certainly made me think that Gibson is on its way back to the top of the guitar world. Even if the guitar is far from the perfection of higher end Gibson models, it feels so good to get an off the shelf, relatively affordable Les Paul with a Gibson logo that feels great. The lightweight construction also should appeal to many players like myself who prefer to swing a light Fender guitar around the stage. Smokehouse Burst is also just such a beautiful finish, with more depth and nuance to the color than I’ve seen on older burst models. I’ve been super critical of Gibson but they earned praise with this one. Value To be fair, there are some many great Les Paul guitars out there for less than the price of a Gibson. That Howl Sirena 3 I reviewed is one of them. However, I’m ultimately impressed with how Gibson seems to have put the attention to detail back into these lower priced Studios. While Les Paul studios have typically been the biggest offenders during Gibson’s leaner years, they got this one right. Overall you can get a real Gibson Les Paul with only a few minor, modern upgrades, for under $1500. That’s a win for everyone who can’t afford Customs, reissues, or vintage Gibson’s. Sometimes the name on the headstock does matter and if that is the case for you, Gibson has worked towards winning you back with this 2020 Les Paul Studio. Good for Blues, Classic Rock, High Gain, Players Looking For Lightweight Les Paul, Versatile Players
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Forums The Les Paul Epiphone Les Pauls You are using an out of date browser. It may not display this or other websites should upgrade or use an alternative browser. NGD Les Paul Standard Indonesia review Thread starter r2d2 Start date May 6, 2013 Joined Aug 8, 2011 Messages 317 Reaction score 81 1 Hi all, last Saturday I bought a new Epiphone Les Paul Standard in ebony. The simplest model and color of all LP world.... at least to me. I must say this is my 7th Epi Les Paul I dont keep them all so, I know how does a Epi LP sounds, feels and looks.... more or less. I got this one just because it was on sale on BestBuy and I had a Gift card from Christmas so, why not? My expectations was 0 at open that box but I have to say, was very surprised minutes later. Here some pics of the unboxing... Now here comes the extra ordinary to me. I realize this was not made in China as all my other Epis, including my SG. This is made in Indonesia Finish looks way better that Chinese and setup right after box is just amazing!! Fairly low action, intonation set, neck relief set and well... tunning was out Even nut looks different and good quality, not cheap plastic... And another amazing thing that really surprise me in an Epi, NOT a single fret buzz or high fret ! Checked many times as I could not believe it. Fretboard looks and feel different, better quality and grain more even. May to appreciate well in pics but here you have... Electronics and PUs are still same crap and will go out asap, I think even bridge tone is not working properly... My plan was to sell it or trade it but this is definitely a keeper! Anybody with Indonesian craftsmanship experience in Epis? If this quality is constant, really its a 5 star to Epiphone Just one more for pleasure The future of this lady is new wiring harness, new PUs and speed knobs. Greetings Joined Jul 19, 2012 Messages 696 Reaction score 612 2 HNGD! She's a beauty! My 2010 Junior is Indonesian, and a step above her Chinese counterparts, even for a lower-end guitar. I played a few Chinese-built Juniors before grabbing the one I bought and they all had issues at the time; the newer ones I've played are much better. Grabbed this one and she spoke to me. Frets were perfect, the fit and finish was top-notch absolutely clean neck pocket and properly-cut nut, for instance, and everything was tight and secure. I ended up swapping out most of the parts, but she was really nice bone stock. Joined Dec 24, 2009 Messages 22,222 Reaction score 32,370 3 Congrats on the Indonesian LP Samick has a huge plant over there My Nighthawk is made in Indonesia, too and it is flawless Joined Jan 14, 2008 Messages 6,482 Reaction score 1,641 4 Ha!!! Great find! There's a new Ebony Standard at a shop near me. It's absolutely flawless, great neck shape, great fretwork. I kind of want it actually. Some double creme Dimarzio 36's would probably go in there, and a premium 50's RS Guitarworks kit. Sweet. Joined Jul 15, 2010 Messages 16,363 Reaction score 44,640 5 Good call taking the pics with your pants on! Joined Apr 6, 2012 Messages 2,056 Reaction score 2,151 6 I've liked the few Indonesian-made LPs I've played. They felt a bit on the light side, but they sounded good and I didn't find any flaws with them. Yours looks great! HNGD! Joined Jun 15, 2010 Messages 10,603 Reaction score 19,987 8 HNGD! Can never go wrong with a beautiful Ebony Standard! There seem to be some very nice product coming out of Indonesia right now. About a month ago, Sweetwater had a few G-400s that were much nicer than the usual ones, and they had the proper cutaway bevels! Anyone else notice that there's no white connector for the pups in the control cavity? Seems like we'll have to adjust our criteria for fake checking on Indonesian made guitars! Joined Dec 24, 2009 Messages 22,222 Reaction score 32,370 9 .......... Anyone else notice that there's no white connector for the pups in the control cavity? Seems like we'll have to adjust our criteria for fake checking on Indonesian made guitars! Good eyes... Joined Aug 8, 2011 Messages 317 Reaction score 81 Joined May 28, 2012 Messages 107 Reaction score 73 13 Those fret ends look a lot better than my '03 Korean Standard. Went off ebony LPs for a while but this looks tasty. Joined Aug 8, 2011 Messages 317 Reaction score 81 14 Those fret ends look a lot better than my '03 Korean Standard. Went off ebony LPs for a while but this looks tasty. You're right. I was totally impressed with fretboard quality. I have a SG Pro bought only two weeks before, Chinese made, same old frets and fretboard. High frets, wood grain uneven, and overall look is cheaper. PS. One of pics were repeated and other was missing, I've fixed now. Joined Apr 24, 2013 Messages 1,824 Reaction score 3,947 15 Congrats on the Indonesian LP Samick has a huge plant over there My Nighthawk is made in Indonesia, too and it is flawless I've got an Indonesian Emperor II and the build quality is really amazing. There are couple of finish flaws eg bit of overspray on binding but constructionally it's spot-on. Congrats on your new guitar OP Joined May 23, 2012 Messages 8,661 Reaction score 20,841 16 I had no idea they were building Epis in Indonesia. I have a Kramer from there so it makes sense.. Joined Oct 14, 2011 Messages 49 Reaction score 76 17 I got myself an Indonesian Epi standard pro a few months ago, and yes it is lighter than my Chinese models. It is also a small step up in quality too! The switches are positioned a little lower further back?....below the top edge of the neck pickup bezel, which makes them easy to spot from a distance, but no big deal IMO. The Cherry bursts on Indo Epis are very distinctive. Here's mine Without the guard Joined Apr 25, 2012 Messages 962 Reaction score 933 18 I've had a few Indo Epi's and yes they do appear to be slightly superior in quality. The rosewood is smoother and more uniform/darker in color, the flame tops are amazing looking as shown below. Paint tape lines are very straight and crisp. I would not hesitate to buy an Indonesian made Epiphone. Samick seems to be doing a fantastic job. Right off Sweetwater A comparison CHINESE INDONESIAN Joined Mar 19, 2012 Messages 4,594 Reaction score 4,237 19 Congrats, thx for the review on your new beauty! Joined Jan 14, 2008 Messages 6,482 Reaction score 1,641 20 Damn these are beautiful! Similar threads Forums The Les Paul Epiphone Les Pauls
TheLes Paul Special is a classic model. Stripped down and simplistic, it evokes the Gibson of the late fifties and early sixties. I will not play bullshit bingo by using either "iconic" or "authentic" in my article, I will leave that shovelling to the Gibson talking head(s), but the idea is a simple guitar like in the olden days.
Home Gear Image credit Gibson Ever since the Late Fifties, when Gibson installed two humbucking pickups on the Les Paul Model electric guitar, gave it a sunburst finish and changed its name to the Gibson Les Paul Standard, the model has remained exactly that a standard. From the late Sixties and onwards Gibson has introduced a wide variety of variants of the Les Paul model like the Classic, Studio, Traditional and Tribute, but, as those names suggest, most of these models were designed to deliver a vintage-inspired vibe that evoked the original great as these retrograde models are and were, they didn’t offer a lot for players whose tastes and preferences are more in line with forward-looking refinements and innovations. With the introduction of the new Les Paul Modern model, Gibson has finally rectified that situation by offering a modified version of the beloved Les Paul with the versatile features, fast playability and contemporary styling many of today’s players prefer. If you’ve always loved the sound of a Gibson Les Paul, but found the model just a little too outdated, the Les Paul Modern is the version you’ve been waiting the exception of the gloss nitrocellulose lacquer Faded Pelham Blue, Sparkling Burgundy and Graphite finish options and clear Top Hat control knobs, the Les Paul Modern looks almost identical to Standard models and similar variations from the past, but closer examination reveals many more changes beyond its cosmetic appearance. Like the original Standard, the Modern is constructed with a mahogany neck and mahogany body with a maple slab top, but the body features Gibson’s "ultra-modern" weight relief that reduces the overall weight to nine pounds or less. For this model, Gibson has returned to using genuine ebony instead of the previous ebony substitute Richlite for the fretboard, which also features a 10-to 16-inch compound radius. The neck also features 22 medium jumbo frets and an asymmetrical slim profile that’s thicker and more curved at the bass strings, and thinner and flatter at the treble few notable changes have been made to the hardware as well. While the tuners have familiar-looking Kluson-style tulip-shaped or keystone buttons, they’re actually a set of locking Grover Rotomatics. The Nashville Tune-o-matic bridge and stopbar tailpiece are crafted from lightweight aluminum to enhance resonance and brightness. Electronics consist of a Burstbucker Pro Rhythm neck humbucker and a Burstbucker Pro + Lead bridge humbucker. Push/pull functions on all four control knobs greatly expand the available tonal options. The volume controls provide coil splitting for their corresponding pickups when pulled out; the neck tone control engages an out-of-phase setting when both pickups are engaged; and when the bridge tone control is pulled out, it instantly mainlines the bridge pickup only directly to the output, completely bypassing the settings of all of the volume and tone controls, and the pickup selector Gibson Les Paul Modern’s tone is 100 percent Les Paul, although the Burstbucker Pro pickups provide character that’s a touch brighter and more aggressive. The push/pull control knob functions exponentially expand the tonal palette of your Les Paul, with the coil-splitting functions providing the bark and bite of P90 single-coils and the phase switch delivering a wonderfully wah-like honking, hollow midrange with a multitude of variations when using both pickups and experimenting with various tone control settings. The bridge tone control’s bypass function is the real killer here, providing an instant balls-to-the-walls aggressive boost that’s ideal for leads that cut to the jugular vein. The Modern’s playability is fast and furious, with unrestricted access to the upper frets at last. Tuning stays rock solid, and with its updated makeover it looks pretty rockin’ PRICE $2,799 MANUFACTURER Gibson, Push/pull control knobs provide coil-splitting for P90-style single-coil tones, phase switching and a bypass function that hotwires the bridge pickup directly to the output.● The neck features numerous upgrades, including a genuine ebony fretboard with compound radius, slim asymmetrical profile and comfortable heel BOTTOM LINE The Gibson Les Paul Modern is a true modern update that delivers classic Les Paul sounds, a significantly expanded palette of tones and the fast playability that today’s players guitar gear to exploreThese are the best electric guitars available todayRaise hell with the best metal guitars for all budgetsThe best electric guitars under $2,000 for intermediate and pro playersFreshen up with the best electric guitar stringsJust getting started? These are the best beginner electric guitars Thank you for reading 5 articles this month*Join now for unlimited accessUS pricing $ per month or $ per yearUK pricing £ per month or £ per year Europe pricing € per month or € per year *Read 5 free articles per month without a subscription Join now for unlimited accessPrices from £ All the latest guitar news, interviews, lessons, reviews, deals and more, direct to your inbox! Chris is the co-author of Eruption - Conversations with Eddie Van Halen. He is a 40-year music industry veteran who started at Boardwalk Entertainment Joan Jett, Night Ranger and Roland US before becoming a guitar journalist in 1991. He has interviewed more than 600 artists, written more than 1,400 product reviews and contributed to Jeff Beck’s Beck 01 Hot Rods and Rock & Roll and Eric Clapton’s Six String Stories.
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